On June 6, the Hollywood Reporter published excerpts from transcripts of secret recordings of Rock Hudson discussing his homosexuality with his wife, Phyllis Gates. The recordings were made by private eye Fred Otash, who was hired by Phyllis Gates to plant eavesdropping devices in their home at 9151 Warbler Place [map] above the Sunset Strip. According to Hollywood Reporter:
On January 21, 1958, Rock Hudson’s wife confronted him, demanding to know if he was gay and grilling the actor about a Rorschach test he had taken. “You told me you saw thousands of butterflies and also snakes,” she said “[A therapist] told me in my analysis that butterflies mean femininity and snakes represent that [sic] male penis. I’m not condemning you, but it seems that as long as you recognize your problem, you would want to do something about it.” She also complained about “your great speed with me, sexually. Are you that fast with boys?”
“Well, it’s a physical conjunction [sic],” replied Rock, then 32. “Boys don’t fit. So, this is why it lasts longer.”
Production photo from location shooting in “The Seven Year Itch,” circa late September 1954
Here’s a production photo from “The Seven Year Itch” that catches the filming of one of the most iconic movie scenes of all time — the shot in which a blast of air from the subway grate lifts Marilyn Monroe’s skirt and makes it billow. The scene was filmed on location, at 586 Lexington Avenue in New York, in late September 1954, and even though it was after midnight by the time cameras rolled, about 5,000 locals were on-hand, watching from the sidelines when director Billy Wilder shouted “action” and an industrial fan installed in the grate raised Marilyn’s skirts, exposing what appeared to be her panties but was in fact a costume piece no more revealing than any 1950s’ bathing suit.
Nonetheless, among the onlookers was Marilyn’s husband of nine months, baseball great Joe DiMaggio — and what DiMaggio saw that night blinded him with a jealous rage. Later, in their hotel room, DiMaggio gave vent to his jealousy. He slapped and hit Marilyn, yelling and screaming at her so loud that guests in neighboring rooms called the front desk. On the set the next day, bruises on Marilyn’s shoulders had to be covered with heavy makeup.